Around the World Blog Hop

Today I am posting as part of the Around the World Blog Hop. I was 'tagged' by Alison Schwabe. Alison currently lives in Uruguay, but I first met her when she was based in Perth , Western Australia. This is a link back to Alison Schwabe's blog.  When I first saw Alison's work, she was working on a  series called 'Ebb and Flow' which I still love. If you want to see more of Alison's quilts click the link to her blog and choose 'galleries'.

As part of the blog hop we are asked to answer four questions.
1. What am I working on?
2. How does my work differ from others of its genre?
3. Why do I write/create what I do?
4. How does my writing/creating process work?

I am working on a textile piece for a show in the UK.
I belong to a group called 'Though Our Hands' and we are having a group exhibition next year. Here are the details. The Show is to be called "THe Liberated Quilt: New Work From Through Our hands" at Bilston Craft Gallery from 9th of May to 4th of July 2015.

Anyway, as I said, I am working on a piece for this exhibition, here is what I have so far, but I have plans, and it won't look much like this at the end. The final piece will be dyed whilst it is hanging on the wall of the gallery (as long as the gallery can cope with that).

These are actually completely white pieces but they are extremely hard to photograph so I put it on the table so there was some color coming through. I have no idea why it turned out so blue but it gives the idea. here it is, in front of the window so you can see that it is translucent.

You are seeing my neighbor's house and the hills on the other side of the valley.

Today I also dyed 20 metres of fabric for my own use and to sell at a market day coming up. I WILL get around to ironing them before the day of the sale.

How does my work differ?
Hmmm well no-one I know of dyes their work on the wall of the gallery, so thats pretty different!

Here is a before shot of one of my installations in Objectspace, an Auckland Gallery and below is what it looked like after red and yellow dye had run down it for a few days.

My work usually has some kind of theme, in the past I have made quilts about pollution, the weather, climate change and human genetics. I'm not against decorative quilts, I make that kind for the beds in my own house, but the quilts or textiles that I exhibit usually have a message somewhere.

My current series was inspired by a remark that you could predict the next seasons trendy colors by looking at dye pollution in rivers on Google Earth. Then I started thinking about all that dye getting into the food that people eat so the bowls at the bottom have food in them.












3. Why do I create the things I do?
I really like to draw people's attention to issues, and I just happen to do that with fabric and thread. I originally trained as a radiographer and then did a science degree and then did an art course specializing in printmaking. I like to make stuff with my hands and I like to show people new ways of looking at issues.

4. How does my creative process work?
Well I went to art school, and I was trained to write everything down. Every idea, every new recipe, every artist who  might have influenced my ideas. We were trained to constantly ask ourselves why we were doing something. So I have masses of sketch books, full of 'stuff', even after graduating ages ago, I still write stuff down. I do a lot of research, I sketch, I make samples.

Some of my sketchbooks

Inside my current sketchbook

This is just what I am working on currently, if you would like to see some of my older , more traditional quilts please have a look at my website, which I am afraid is very out of date, I'm hoping to have a new website soon .

The next people I have tagged on the blog hop are:
Shirley Goodwin, from Oamaru, New Zealand.
Lisa Call, from Denver, Colorado.

Shirley is a quilter, a dyer extraordinaire and also teaches for the Academy of Quilting.

I met Lisa Call  at least 22 years ago, on Quiltnet, we connected because we both had kids the same age and were struggling to be creative as well as be parents of young children. When she came to New Zealand with her family we met in person. Her style of quilting has evolved hugely in that time, and now instead of being a computer programmer, she is a professional and very successful quilter and quilt teacher. Lisa is coming back to NZ, this time to teach at Fiberarts NZ in Whanganui on April 12-18th 2015.

Objectspace Exhibition, costumes etc.

This is what the wallhanging at Objectspace looks like today. Next week the curator will add another color. The wheat hasn't started sprouting yet!

This week I have been making hats for a ballet performance and now I have sprayed one of them with gold and have gold fingers and bits of gold on my glasses. The next thing to do is add gold foil.

I realize that this is quite a mixture, dance costumes and conceptual object art. I guess we have to be generalists as textilists, costumes are my 'bread and butter' that is 'when i get paid' although most people are happy to pay for materials and less interested in paying for my making skills.

Here are the two hats I have been working on:

Headdress for La Bayadere , the Golden Idol

 I tried a variety of methods before settling on using some Guipure lace I had in my stash. Now I just need to find more. Lots of gold spray paint and gold foil on top. I am very pleased with the result.

Turban for the slave master guy, La Bayadere

Watermark textiles and Te Papa

kelea's photostream on Flickr.

These are textile wallhangings which I have dyed vertically in previous exhibitions over the last 6 months. They are all inspired by images on Google Earth of rivers dyed multi-coloured by textile dye. I find the images of dyed rivers beautiful but disturbing at the same time...

Here is the latest Watermark wall hanging which was dyed in Te Papa Museum on Saturday as part of Makertorium.

Photo by Marie-Claire Andrews

It was a hot day and I should have worn something cooler. The sun was coming straight through the window at me . It dried out the dye so that it took much longer for the dye to travel around the picture. By the end of the day most of the exhibitors were coughing because of the dry air and drinking lots and lots of water .

In spite of the heat, it was a GREAT DAY!!
All the other exhibitors were so enthusiastic, it was a great celebration of 'makers'. I had a wonderful time and would love to do it again armed with more knowledge of how the dyes work in the drier air, how not to get dye on the floor of Te Papa, and what to wear to keep cool.

I also know more about what the public might do in a tight area. There were lots of people trying to get past or trying to stand back to see what was going on. The booth opposite me was also very popular so we caused a bit of a bottleneck. And some of the public got a bit grumpy and tried to do things like walk very close to the dripping wallhanging or even around the back. Some tripped over the leg of the stand and one woman even put her finger in the dye pot to see what was in there. If the stand hadn't been very sturdy there would have been an accident which I would have had a hard job explaining to Te papa (we all signed a form saying we would not make a mess).

Thankyou to everyone who came in to see the show, thanks also to friends who made a special effort to come and see my work because they missed it last year.

Here is the wallhanging hanging up in my sewing room while the dyes set. I have put soda ash in the cups at the top and that is running down right now so the picture looks even blurrier than before. It is still impossible to tell what the final image will look like as the soda ash changes the picture and sets only in some places.

In some ways I like the details best

regards
Clare

Kete show dye 'event'

Here are pictures of the latest vertical dyeing 'event'. It definitely got a lot of attention. It was hard to take photos as there were always people in the way so some of them are from odd angles.

The above photo is my favourite. I love it that  the guy is looking the the other way!

I got some really good feedback from all sorts of people including some gallery owners and craft collectors. Although most people didn't know what it was about as there were no artist statements.

Here is my latest stab at an artist statement for the Watermark panels.

Spring 2013

Cotton fabric and thread

Hand-guided machine applique and embroidery

Fabric Dye

Size 220cm X 150cm

My work investigates the relationship between commerce, the environment and the damaging effects of ‘the race to the bottom’, where the consumer and importer demand the lowest price and the manufacturer is forced to cut corners to secure a profit.

Water treatment is expensive and rivers in textile manufacturing countries,  run blue or pink or turquoise with waste-water run-off from the textile industry. The dyes are so strong that it is possible to predict fashionable colours for the seasons ahead by looking at Googlearth. As consumers, how much responsibility do we have for environmental destruction in a far off land, ‘out of sight, out of mind’? Do we have any right to even comment when our own rivers are polluted with invisible contaminants; fertilisers and bacteria from farms and heavy metals as run-off from roads?

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The hardest part is moving on. Now the work for this show is done, I need to start thinking about what I do next. We have a group show at the end of the year with approximately 1.5 m each so not much space. I don't think I am going to come up with a new idea before then so will see whether I can come up with a variation. All ideas gratefully received!
Clare

Watermark day 5

 Here is todays wallhanging. It is Zealandia - Karori Sanctuary in Wellington. It is a fenced sanctuary for native birds and has a big predator-proof fence.

 I chose the traditional blue like the willow plate but couldn't resist adding a bit of pink which turned purple.

 This is a final shot of the whole gallery with all 5 dripping dyed wallhangings. No. 1 and no.5 look as if they are  similar colours in this photo but they are quite different blues in real life.

Thats it folks - the show is over. I'd like to thank Clare Plug , Ian Smith, James Wratt, Margery Smith, David Wratt, Chris Wratt, Pheobe and Nina Smith, Deb Donnelly, Peter Deckers, Viv Atkinson and all the staff at the Visual Arts department of Whitireia Polytechnic for their help with this exhibition, I couldn't have done it without you!

Tomorrow- images of the shadows formed on the walls behind the hangings, incidental details, hopefully images of the fabric which mopped up the dye at the bottom (rolled up in the guttering).