Showing posts with label dye pollution. Show all posts
Showing posts with label dye pollution. Show all posts

Tuesday, December 18, 2012

Bitter Harvest dyeing

Last Thursday was the opening of 'Wind it Up' the Whitireia student exhibition. Here are some pictures of my pieces as the dye starts to travel through them. I really hated the lurid colour of the turquoise in the middle one so went back the next day and added extra dye to the cups which changed the turquoise to something less nasty.

The bowls at the bottom of the panels contain from left to right: Barley, Wheat and rice.
The barley and wheat are not human food grade and were sold as animal feed , anything not contaminated will be recycled as wheat bags or given to chickens. The rice was from a damaged bag begged from the supermarket. They were going to dump it in the skip. So I don't feel like I am depriving anyone of food. I am a bit worried that the smell of the grain might entice rats/mice/sparrows into the gallery though - so far its been OK.






 Day 2. I added extra dye to all the cups. The two on the left are made of pre-washed fabric. The one on the right is made of unwashed fabric.

At the opening of the exhibition there was a prize-giving. I was taking photos as 'official photographer' but had to have the camera taken off me when I won 'Best in Show' which was a big surprise.
I am in the centre, with the joint course coordinators, Chris White (left) and Deb Donnelly (right).

This is work by Kerry Reddy who was in my class. She is also a quilter, and there is an article about her solo exhibition work in the latest New Zealand Quilter magazine.








Below is a detail of work by Chloe Reweti. It consists of hundreds of laser cut screenprinted moths attached to wire stalks which are drilled into the wall. It is very time consuming to put together but very effective. It is on the feature wall of the exhibition at Pataka.

To see more of all the students work go to
http://winditup2012.wordpress.com/

Sunday, April 8, 2012

Water, Water

I seem to be doing nothing much but reading at the moment, however by the end of the Easter holidays I need to be sure of what I am going to make or it is going to be pretty hard to get together a whole solo show by July (unless I look for a very small venue).

I have a back up plan - a booking for an unfinished upstairs gallery, but I'm looking for somewhere on street level if I can find something suitable.

Anywhere here is a book that has scared me recently
When the Rivers Run Dry - Fred Pearce. This book was a bit of a revelation. He mentions the term 'Virtual water'. This is the economists term for all the water that was used to produce a manufactured item. It was invented by Tony Allan of the school of Oriental and African Studies in London.

New Zealand sells kiwifruit to overseas countries and is therefore exporting water inside the fruit which ends up in another country. Which is Ok for us, at least we have rain (often a bit too much rain). But what if it is a dry country exporting tomatoes which have been irrigated -  the amount of water inside the tomato is added to the water that was used to irrigate the tomatoes. The 'Virtual water' count can be huge.

Fabric grows in a hot climate and needs lots of water for irrigation, then gets dyed, rinsed and rinsed and rinsed then scrubbed and faded (In the case of jeans). The Virtual Water count for cotton is enormous.

If it takes 25 bath tubs full of water to grow enough cotton for a t-shirt then it is probably similar for a metre of quilting cotton. The water for growing cotton is being pumped out of rivers and used to irrigate the cotton which is grown in very dry places, almost deserts, and this is causing the rivers to run low and in some cases dry out. Have a look here for pictures of the Aral Sea. This is before the fabric gets dyed and rinsed and then taken home and washed to remove the starches and finishes and to shrink it.

The Aral sea 
The water was pumped out of the rivers which feed the Aral Sea to irrigate cotton.

Now I love cotton, and I love to dye cotton and I'm no purist but I'm starting to think about the implications of my choices of materials so I'm reading books on sustainability. I haven't found many books by contemporary quilters which consider the environmental issues of the materials they are using. However there are lots of people in the fashion industry who are looking at becoming more eco-friendly or sustainable in their work but there are so many factors to consider.

You can recycle and use up scraps - quilters used to be very good at this and to be fair, some still are.

People are designing clothes which use every scrap of fabric instead of all the trimmings going to the landfill

You can use organic cotton (try googling suppliers of organic cotton in NZ and it isn't easy to find)

You can dye with natural dyes

You can make things out of more sustainable fabrics like Tencel

But it is pretty hard to do all of this at the same time.

So I have an idea for an exhibition but it involves lots of 3 metre long white fabric lengths. I would have had no difficulty in the past in buying a 50 metre bolt of homespun and getting started but now I'm having to consider how I am going to get the fabric by other means.

Recycled fabric?

Upcycled fabric?

Pieced together scraps?

What if I buy the 50 metre bolt of new fabric and promise to use very scrap of fabric? Does that count? Or should I try and find organic cotton (and believe me that doesn't seem to be an easy task). And in my heart of hearts I'd love to use cotton organdy, which is white and crisp and has been treated with starches and chemicals causing goodness knows what environmental problems.

Now time for some more light-hearted stuff. Check this website for weird craft.

 

 Here is something I found in a op shop in Wellington, New Zealand.


 Its a crocheted doiley with swans. Anyone know what is is for? Is it just decorative or does it hold scones or something?

Sunday, March 4, 2012

Teaching and Learning

I had high hopes of making more regular posts on this blog this year but as usual life got in the way.

I am teaching 3 hours a week at Whitireia Polytechnic in Porirua, I'm a Tutorial assistant for 2 days a week and I'm also a Graduate Diploma student there. So I'm back to being a student again.

I'm trying to get my brain organised so that I don't forget anything, or miss a deadline.

I hope to be able to put some images here when I have something to show.  At the moment I am trying to get research done on where our cotton fabric comes from (as Quilters) and what environmental issues we should be considering. However I keep getting distracted by research about pollution from dyeing jeans in China.